Entertainment

Re­view: Three Sis­ters

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MISHAWAKA--Di­rected by Clarence Gilyard, Amer­i­can ac­tor, col­lege pro­fes­sor, and au­thor, the com­plex story of “Three Sis­ters” was per­formed at the Kelly Au­di­to­rium by stu­dents in­volved in the the­atre de­part­ment on both Fri­day and Sat­ur­day, Sept. 27 and 28, 2019.  

The four-act play was writ­ten by An­ton Chekhov, Russ­ian play­wright and short-story writer, that took place in the late 19th cen­tury in a small town in Rus­sia, which was later trans­lated into Eng­lish by Lan­ford Wil­son. 

Ac­tors play the roles of the fallen for­tunes of four chil­dren af­ter their fa­ther, a Colonel in the Russ­ian army, dies. Irina, the sweet­est and the youngest, Masha, a woman trapped in a mar­riage lack­ing love, Olga, the most prac­ti­cal, and An­drei, a good vi­o­lin player and an even worse gam­bler, all long to move back to the city of Moscow. 

The small fam­ily meet a va­ri­ety of lively char­ac­ters along the plot, and, un­for­tu­nately, never find their way back to Moscow.  

Al­though filled with scan­dalous af­fairs, a dev­as­tat­ing fire, and death, the play was anti-cli­mac­tic, and its char­ac­ters were pas­sive-ag­gres­sive, while its ac­tors de­liv­ered the piece greatly.  

“Three Sis­ters” raised many ques­tions, such as the sig­nif­i­cance of the fire across the river, why the char­ac­ters were petty, and why did Baron Tuzen­bach die at the end?  

The fire that takes place across the river in the play is ad­dressed, is not a sig­nif­i­cant role in the story even though dif­fer­ent char­ac­ters in the story com­ment on the mag­ni­tude of the fire.  

The prob­lems and drama that takes place within the lives of each sib­ling is some­thing that just about any­one could re­late to in real life, which does in­clude boy trou­ble, sub­mis­sion, re­la­tion­ship prob­lems, ap­proval, and even gam­bling. How­ever, each prob­lem could have been solved with a procla­ma­tion for di­vorce or even a long talk with a sig­nif­i­cant other. Each prob­lem was un­ad­dressed and left you more frus­trated with the char­ac­ter than in love with the story.  

Cer­tain sit­u­a­tions in the play seemed unim­por­tant to the ad­di­tion to the story line and felt more like it added to the un­der­de­vel­op­ment in ma­tu­rity of the sib­lings. With each grow­ing prob­lem, came the grow­ing pet­ti­ness of each char­ac­ter.  

The tal­ented cast of Bethel’s the­atre de­part­ment de­liv­ered when it came to pro­jec­tion, in­clu­sion, and per­for­mance, with only a few un­planned stut­ters here and there. Al­though “Three Sis­ters” raises frus­tra­tion, it is a play worth watch­ing.