Campus News

Bethel Col­lege Pre­sents: An­nual Jazz Cof­fee House Con­cert

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MISHAWAKA—On March 15, Bethel Col­lege’s Jazz En­sem­ble and Jazz Combo are hold­ing The Jazz Cof­fee House. The event will take place at 8 a.m., in The Din­ing Com­mons and is free to at­tend.  

Ac­cord­ing to Wade Ar­men­trout, the di­rec­tor of the groups, “The Jazz Cof­fee House is a jazz per­for­mance in an in­for­mal set­ting. It is in­tended to be more like go­ing to a jazz club or restau­rant where a per­for­mance is go­ing on while peo­ple are en­joy­ing re­fresh­ments and con­ver­sa­tion.” 

Ac­cord­ing to Ar­men­trout, some of the groups in­volved in the Cof­fee House are the Jazz En­sem­ble, the Jazz Combo, and a myr­iad of vo­cal­ists, some cur­rent mem­bers of the band and some who are alumni. A few mem­bers of the com­mu­nity who love to play will also be join­ing the bands dur­ing the per­for­mance. 

 
This is Ar­men­trout’s first year as di­rec­tor for the groups, but he has played in the cof­fee house event in the past. When asked why Bethel would put on a Cof­fee House evening event in­stead of a reg­u­lar con­cert, Ar­men­trout said, “It is an op­por­tu­nity for our mu­si­cians and au­di­ence to ex­pe­ri­ence mu­sic in, what I like to think of as, a real-world set­ting. More like a con­cert in a park or a wed­ding re­cep­tion or a restau­rant or club.” 

If you are think­ing of at­tend­ing, but have no idea what jazz mu­sic in­volves, Ar­men­trout help­fully put to­gether a list of what you will see in a typ­i­cal jazz per­for­mance and gave a lit­tle bit of back­ground on the evo­lu­tion of jazz.  

He said, “The ‘stan­dard’ jazz band in­stru­men­ta­tion con­sists of sax­o­phones, trum­pets, trom­bones and a rhythm sec­tion in­clud­ing pi­ano, gui­tar, bass and drums. Any in­stru­ment, how­ever, can be, and has been, used to play jazz. The first jazz in­stru­ment was most likely the voice. Jazz mu­si­cians would per­form their mu­sic on what­ever they had avail­able. The ‘Big Band,’ … evolved as bands be­came reg­u­lar fix­tures at restau­rants and clubs and those in­stru­ments were read­ily avail­able and suited the needs [and] cre­ative ideas of the mu­si­cians.”