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Chris Ren­ze­ma’s Get Out of the Way of Your Own Heart

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MISHAWAKA—Chris Ren­ze­ma’s re­lease of Sept. 3, 2021, blends the many styles of folk, in­die rock, and Con­tem­po­rary Chris­t­ian Mu­sic. He has worked with Hank Bent­ley be­fore on his sec­ond al­bum and Bent­ley has re­turned to work on this al­bum as well. This al­bum is com­posed of unique-sound­ing songs, which speaks to his ver­sa­til­ity as an artist. While this is not a con­gre­ga­tion-fo­cused wor­ship mu­sic, this al­bum pro­vides mu­sic that many can lament to God with and praise Him too.

My pseudo-mu­sic speak will be a lit­tle fo­cused on the lyrics this time be­cause when it comes to Con­tem­po­rary Chris­t­ian Mu­sic, that is what mat­ters the most.

Hope Or Nos­tal­gia- Near the end of the song, there are big hits with the drums, which bring the al­bum to a dra­matic be­gin­ning, mak­ing me ex­cited for the rest of it.

Get Out of the Way of Your Own Heart- This song finds a way to call to the lis­tener in a way that makes them feel like a men­tor or a coun­selor is help­ing them  give grace to them­selves. 

Old Dreams- The lyrics point to let­ting go of what does not mat­ter, old dreams, when there is some­thing bet­ter.

Just As Good (feat. El­lie Hol­comb)- Though our faith fal­ters, God re­mains the same God through it all. Hol­comb pro­vides great har­mony on this song, giv­ing  this song an ex­tra 10 per­cent.

No Room For An Anx­ious Heart- This song, specif­i­cally, means a lot for those who strug­gle with anx­i­ety. It shows there is peace to be pro­vided by God when the fear sets in.

With­out You-The key­board at the on­set of this song pro­vides a great vibe from the get-go, and the hi-hats on the off­beats con­trol that vibe through­out the song.

No Body (feat. Matt Ma­her)- This has more of a folk in­flu­ence, sound­ing like a tra­di­tional hymn. It is a slow song placed strate­gi­cally in the al­bum or­der.

Stronger Love (feat. Lee­land)- The re­peated phrase in this song is some­thing every­one needs to hear and im­ple­ment in this day and age.

Old Friend- Con­tain­ing an in­fec­tious bassline near the 40 sec­ond mark, the song moves from there to one to lis­ten to mul­ti­ple times.

Heart Soul Blood Bone- The end of song gives room for a re­flec­tion on the need for con­nec­tion we crave.

The Right Things- An­other well placed bal­lad with catchy hooks to pull the lis­tener. The bridge re­quires an­other lis­ten. 

Blessed Are Those Who Fol­low You- This is a song based on the beat­i­tudes from Matthew 5, con­tain­ing a har­mon­ica solo.

Leave A Light On- For the mix of this song, his voice feels close and cen­tered with the rest of in­stru­ments in the back­ground. It is unique in its func­tion.

Only The Good Die Young- This is a pow­er­ful state­ment on faith, sup­ported by a string sec­tion.

Hard Drugs- This a metaphor for those sins many deal with: hate, anger, greed.

For his sec­ond al­bum, there is talk of growth with his sin­gle off the al­bum, Spring­time. When it comes to this al­bum, his third one, I feel it ex­plores the pain of grow­ing up he ex­pe­ri­enced in his pre­vi­ous al­bum. In his song, Only The Good Die Young, he talks of the ages when he ques­tions his faith, re­mem­ber­ing his faith as a child. I be­lieve this a good ex­am­ple of con­ti­nu­ity in his discog­ra­phy as well as good song­writ­ing. Click here to check out a mu­sic video of Old Friend.